本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

The period of almost half a century from 1871 to 1919 was one of huge upheaval, restlessness and change in Germany. Situated at the crossroads of history and geography, the country under Bismarck was struggling to preserve the predominance of Prussia and its traditional ruling elites, whilst also recognising the importance of modernisation. By the turn of the century Germany ha...(展开全部)

埃里克·埃克（Erick Eyck（1878—1964），生于德国柏林，曾就读于柏林大学和弗莱堡大学，以法律记者、议员的身份在上诉法院从事法律工作。1937年为躲避纳粹迫害，他移居英国，在伦敦大学和牛津大学讲学，并开始反思德意志民族崛起之路。埃克博士论著宏富，著有《魏玛共和国史》（商务印书馆，1994）、《俾斯麦研究》等论著。《俾斯麦与德意志帝国》是他以牛津大学的课堂讲义为基础写成的总结性专著，是公认的经典之作。

The German Historicist Tradition is a study of the rise of the German historicism from Chladenius to Weber. The work is an historical survey and philosophical examination of the main thinkers in this tradition. It covers thirteen thinkers: Chladenius, Möser, Herder, Wilhelm von Humboldt, Savigny, Ranke, Droysen, Windelband, Rickert, Lask, Dilthey, Simmel and Weber. Most of thes...(展开全部)

Reggie Fils-Aimé, retired President and Chief Operating Officer of Nintendo of America Inc., shares leadership lessons and inspiring stories from his unlikely rise to the top. Although he’s best known as Nintendo's iconic President of the Americas-immortalized for opening Nintendo’s 2004 E3 presentation with, “My name is Reggie, I'm about kicking ass, I'm about taking names, an...(展开全部)

德国最后的文化贵族已经在二战前被终结了。关于这一代欧洲文人，韦伯做过类比，说他们近似中国儒家学者(Mandarins)，其“地位来自教育与学识，而非世袭权力或财富”。关键是：中国学人饱读诗书、珍爱文化，同时具备政治抱负、治国才干。如此进退自如，可谓知识分子理想型。这一代文人都很讲文化民族主义，到了现在，被布尔迪厄通通批为“文化保守主义”一代，并认为他们要对纳粹兴起负主要责任。真是驴唇不对马嘴啊。

Too often, scholars treat transnationalism as a conflict in which the local, regional, and national give way to globalized identity. As these varied studies of German cities show, though, the urban environment is actually a site of trans-localism that is not merely oppositional, but that adapts itself dialectically to the forces of globalization.

瓦尔特·本雅明（1892—1940），德国文学家、思想家，因其博学和敏锐而享誉世界，被视为20世纪前半期德国最重要的文学评论家，被誉为“欧洲最后一位知识分子”。他学术视野开阔，学术眼光独到，著作宏富，著有《德意志悲苦剧的起源》、《德国浪漫派的艺术批评概念》、《可技术复制 时代的艺术作品》、《评歌德的<亲和力>》、《摄影小史》、《柏林童年》、《德意志人》等名著，尚留下六册书信集。作为众所周知的思想家，其论著丰富的解释力吸引越来越多学者的目光，俨然成为重审现代性与欧洲文化史的关键节点。

Cited by Lukacs as a principal source of literary modernism, Walter Benjamin's study of the baroque stage-form called Trauerspiel (literally, "mourning play") is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderon and the engravings o...(展开全部)

Cited by Lukacs as a principal source of literary modernism, Walter Benjamin's study of the baroque stage-form called Trauerspiel (literally, "mourning play") is the most complete document of his prismatic literary and philosophical practice. Engaging with sixteenth- and seventeenth-century German playwrights as well as the plays of Shakespeare and Calderon and the engravings o...(展开全部)